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		<title>Mit Gershwin in den Sommer (livestream)</title>
		<link>https://www.sarume-media.com/mit-gershwin-in-den-sommer-livestream/</link>
		
		<dc:creator><![CDATA[sarumeme]]></dc:creator>
		<pubDate>Fri, 31 Mar 2023 12:45:29 +0000</pubDate>
				<category><![CDATA[Axel Kober & Düsseldorf Symphoniker]]></category>
		<category><![CDATA[portfolio]]></category>
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					<description><![CDATA[Mit Gershwin in den Sommer (livestream) https://youtu.be/anZ_Srl_IEQ Livestream Concert with the Düsseldorfer Symphoniker and Axel Kober Program: Ottorino Respighi, Italiana &#38; Aria de Corte Strawinsky, Pulcinella-Suite Gershwin, Porgy &#38; Bess (Auszüge) für Blechbläserensemble Ein Amerikaner in Paris (Arr. Daniel Guyot) für Blechbläser und Schlagzeug 28.06.20 Tonhalle Düssedorf CONTRIBUTION Video production and live stream]]></description>
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					<h2 class="elementor-heading-title elementor-size-default">Mit Gershwin in den Sommer (livestream)</h2>				</div>
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									<p>Livestream Concert with the Düsseldorfer Symphoniker and Axel Kober</p><p>Program:</p><ul><li><span dir="auto">Ottorino Respighi, Italiana &amp; Aria de Corte</span></li><li><span dir="auto">Strawinsky, Pulcinella-Suite</span></li><li><span dir="auto">Gershwin, Porgy &amp; Bess (Auszüge) für Blechbläserensemble</span></li><li><span dir="auto">Ein Amerikaner in Paris (Arr. Daniel Guyot) für Blechbläser und Schlagzeug</span></li></ul><p>28.06.20</p><p>Tonhalle Düssedorf</p>								</div>
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									<p>CONTRIBUTION</p><p>Video production and live stream</p>								</div>
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		<item>
		<title>The Barber of Seville – There are many ways to tell an Opera (film)</title>
		<link>https://www.sarume-media.com/the-barber-of-seville/</link>
		
		<dc:creator><![CDATA[sarumeme]]></dc:creator>
		<pubDate>Thu, 30 Mar 2023 16:17:29 +0000</pubDate>
				<category><![CDATA[Komische Oper am Rhein]]></category>
		<category><![CDATA[portfolio]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">https://www.sarume-media.com/?p=1471</guid>

					<description><![CDATA[The Barber of Seville – There are many ways to tell an Opera (film) Episode 1: First Day of Rehearsals Mr. Kafka, an unknown producer invites 5 opera singers and a pianist to make a film adaptation of Rossini’s famous opera “The Barber of Seville” with the promise of success and fame. Based on a true story, this film adaptation in 3 episodes starring the extraordinary music of the immortal G. Rossini is a reflection on the distinct faces of the opera world. Film Directed by: Celia Ruiz Artacho Opera Staged by: Mario Tomás López Music directed by: Pablo G. Vico Co-directed by: Yolanda Orozco Screenplay by: Mario López and Elsa García Tárraga Adapted from “Il barbiere di Siviglia” An opera buffa in two acts by Gioachino Rossini with an Italian libretto by Cesare Sterbini composed in 1816. The libretto was based on Pierre Beaucharchais’s French comedy Le Barbier de Séville (1775). Cast: Figaro Michael Terada Rosina Elsa García-Tarraga Count Amaviva Lukas Schmidt Kafka Rüdiger Fabry Maestro Pablo G. Vico Bartolo Tim-Lukas Reuter Basilio Christopher Jähnig Narrator Tom Zahner Extras Miguel Vallés &#38; Stephan Salgert Crew: Camera Operator: Alexander Pauckner 1st AC: Yannick Obry 2nd AC: Clara Keilbach Costume, hair &#38; Make up assistant – Anna Tena Gaffer: Lars Elliger Best Boy: Marcus Brux Lighting technicians: Jesko Friedrichs Sophia Gamboa Lukas Zoschke Kim Hausner Malte Liebertz Jonas Thibaut Set decorator and Photographer: Anna Tena Catering: Chinzo Edition: Celia Ruiz Artacho Colorist: Noel Lardon, Alexander Pauckner Dialog Editor: Raphael Kohler Mixing Engineer: Raphael Kohler Sound Engineer: Anna Jungfer Sound Engineer/ Boom operator: Simon Hüging Production Manager: Esther Conze Developed and Produced by: Komische Oper am Rhein With the support of: NRW Sofort Hilfe Deutsche Orchester Stiftung SARUME Media The Institute of Music and Media (IMM), Düsseldorf Special Thanks To: Theaterkantine (https://theaterkantine.de) © 2021 Komische Oper am Rhein (www.komischeoperamrhein.de CONTRIBUTION Film direction. Audiovisual promo material]]></description>
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					<h2 class="elementor-heading-title elementor-size-default">The Barber of Seville – There are many ways to tell an Opera (film)</h2>				</div>
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															<img fetchpriority="high" decoding="async" width="1024" height="432" src="https://www.sarume-media.com/wp-content/uploads/2023/03/Barbero_still_small_tiny-2-1024x432-1.webp" class="attachment-full size-full wp-image-968" alt="A screetshot of &quot;El Barbero de Sevilla&quot;" srcset="https://www.sarume-media.com/wp-content/uploads/2023/03/Barbero_still_small_tiny-2-1024x432-1.webp 1024w, https://www.sarume-media.com/wp-content/uploads/2023/03/Barbero_still_small_tiny-2-1024x432-1-300x127.webp 300w, https://www.sarume-media.com/wp-content/uploads/2023/03/Barbero_still_small_tiny-2-1024x432-1-768x324.webp 768w" sizes="(max-width: 1024px) 100vw, 1024px" />															</div>
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									<b>Episode 1: First Day of Rehearsals</b>

Mr. Kafka, an unknown producer invites 5 opera singers and a pianist to make a film adaptation of Rossini’s famous opera “The Barber of Seville” with the promise of success and fame. Based on a true story, this film adaptation in 3 episodes starring the extraordinary music of the immortal G. Rossini is a reflection on the distinct faces of the opera world.

Film Directed by: <b>Celia Ruiz Artacho</b>

Opera Staged by: <b>Mario Tomás López</b>

Music directed by: <b>Pablo G. Vico</b>

Co-directed by: <b>Yolanda Orozco</b>

Screenplay by: <b>Mario López and Elsa García Tárraga</b>

Adapted from “<i>Il barbiere di Siviglia</i>”

An opera buffa in two acts by Gioachino Rossini with an Italian libretto by Cesare Sterbini composed in 1816.

The libretto was based on Pierre Beaucharchais’s French comedy Le Barbier de Séville (1775).

Cast:
<ul>
 	<li>Figaro Michael Terada</li>
 	<li>Rosina Elsa García-Tarraga</li>
 	<li>Count Amaviva Lukas Schmidt</li>
 	<li>Kafka Rüdiger Fabry</li>
 	<li>Maestro Pablo G. Vico</li>
 	<li>Bartolo Tim-Lukas Reuter</li>
 	<li>Basilio Christopher Jähnig</li>
 	<li>Narrator Tom Zahner</li>
 	<li>Extras Miguel Vallés &amp; Stephan Salgert</li>
</ul>
Crew:
<ul>
 	<li>Camera Operator: Alexander Pauckner</li>
 	<li>1st AC: Yannick Obry</li>
 	<li>2nd AC: Clara Keilbach</li>
 	<li>Costume, hair &amp; Make up assistant – Anna Tena</li>
 	<li>Gaffer: Lars Elliger</li>
 	<li>Best Boy: Marcus Brux</li>
 	<li>Lighting technicians:
<ul>
 	<li>Jesko Friedrichs</li>
 	<li>Sophia Gamboa</li>
 	<li>Lukas Zoschke</li>
 	<li>Kim Hausner</li>
 	<li>Malte Liebertz</li>
 	<li>Jonas Thibaut</li>
</ul>
</li>
 	<li>Set decorator and Photographer: Anna Tena</li>
 	<li>Catering: Chinzo</li>
 	<li>Edition: Celia Ruiz Artacho</li>
 	<li>Colorist: Noel Lardon, Alexander Pauckner</li>
 	<li>Dialog Editor: Raphael Kohler</li>
 	<li>Mixing Engineer: Raphael Kohler</li>
 	<li>Sound Engineer: Anna Jungfer</li>
 	<li>Sound Engineer/ Boom operator: Simon Hüging</li>
 	<li>Production Manager: Esther Conze</li>
</ul>
Developed and Produced by: Komische Oper am Rhein

With the support of:
<ul>
 	<li>NRW Sofort Hilfe</li>
 	<li>Deutsche Orchester Stiftung</li>
 	<li>SARUME Media</li>
 	<li>The Institute of Music and Media (IMM), Düsseldorf</li>
</ul>
Special Thanks To:
<ul>
 	<li>Theaterkantine (https://theaterkantine.de)</li>
</ul>
<small>© 2021 Komische Oper am Rhein (www.komischeoperamrhein.de</small>								</div>
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									<p>CONTRIBUTION</p><p>Film direction. Audiovisual promo material</p>								</div>
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		<item>
		<title>Identidade (CD and audiovisual promo material)</title>
		<link>https://www.sarume-media.com/identidade/</link>
		
		<dc:creator><![CDATA[sarumeme]]></dc:creator>
		<pubDate>Thu, 03 Mar 2022 15:56:54 +0000</pubDate>
				<category><![CDATA[Andrea González Caballero & Amalia Tortajada]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[portfolio]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">https://www.sarume-media.com/?p=1458</guid>

					<description><![CDATA[Identidade (CD and audiovisual promo material) Identidade is an inspiring project in which women from different cultural roots and from various artistic fields come together in collaboration to create a joint work. This project is driven by our desire to contribute to our artistic field in an innovative manner as we take yet another step in our professional careers. Our motivation arises from observing more and more women around us carrying out outstanding works in various artistic disciplines. This has convinced us that joining forces and creating a joint project would serve as a meeting point, giving visibility to the role they are playing, while giving us the opportunity to enrich each other and expand the musical repertoire. The sum of diverse arts and cultures are the pillars of this project, thus serving as a living network where each member can contribute part of their own identity. CONTRIBUTION CD recording and audiovisual promo material visit Identidade website]]></description>
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					<h2 class="elementor-heading-title elementor-size-default">Identidade (CD and audiovisual promo material)</h2>				</div>
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									<b>Identidade is an inspiring project in which women from different cultural roots and from various artistic fields come together in collaboration to create a joint work.</b>

This project is driven by our desire to contribute to our artistic field in an innovative manner as we take yet another step in our professional careers. Our motivation arises from observing more and more women around us carrying out outstanding works in various artistic disciplines.

This has convinced us that joining forces and creating a joint project would serve as a meeting point, giving visibility to the role they are playing, while giving us the opportunity to enrich each other and expand the musical repertoire.

<b>The sum of diverse arts and cultures are the pillars of this project, thus serving as a living network where each member can contribute part of their own identity.</b>								</div>
				</div>
					</div>
		</div>
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									<p>CONTRIBUTION</p><p>CD recording and audiovisual promo material</p>								</div>
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									<span class="elementor-button-text">visit Identidade website</span>
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		<title>Danse Bacchanale (live concert)</title>
		<link>https://www.sarume-media.com/elementor-1615/</link>
		
		<dc:creator><![CDATA[sarumeme]]></dc:creator>
		<pubDate>Tue, 28 Jul 2020 13:24:02 +0000</pubDate>
				<category><![CDATA[Alliage Quintett]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[portfolio]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">https://www.sarume-media.com/?p=1615</guid>

					<description><![CDATA[Danse Bacchanale (live concert) Alliage Quintett plays Camille Saint-Saëns’ “Danse Bacchanale”Version for four saxophones and piano by Sebastian Pottmeier Live concert at Theater Schweinfurt 13.3.2020 visit Alliage Quintett website]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="1615" class="elementor elementor-1615">
						<section class="elementor-section elementor-top-section elementor-element elementor-element-6ddcfcb elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no" data-id="6ddcfcb" data-element_type="section" data-e-type="section">
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				<div class="elementor-widget-container">
					<h2 class="elementor-heading-title elementor-size-default">Danse Bacchanale (live concert)</h2>				</div>
				</div>
				<section class="elementor-section elementor-inner-section elementor-element elementor-element-692bd4e elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no" data-id="692bd4e" data-element_type="section" data-e-type="section">
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			<iframe class="elementor-video-iframe" allowfullscreen allow="clipboard-write" title="vimeo Video Player" src="https://player.vimeo.com/video/422216406?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=0&amp;portrait=0&amp;byline=0&amp;h=3de888f47c#t="></iframe>		</div>
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				<div class="elementor-widget-container">
							<div class="elementor-spacer">
			<div class="elementor-spacer-inner"></div>
		</div>
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		</section>
				<section class="elementor-section elementor-inner-section elementor-element elementor-element-8770558 elementor-reverse-mobile elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no" data-id="8770558" data-element_type="section" data-e-type="section">
						<div class="elementor-container elementor-column-gap-default">
					<div class="elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-2e4f223" data-id="2e4f223" data-element_type="column" data-e-type="column">
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						<div class="elementor-element elementor-element-a28f261 justify-paragraphs elementor-widget elementor-widget-text-editor" data-id="a28f261" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
				<div class="elementor-widget-container">
									<p>Alliage Quintett plays Camille Saint-Saëns’ “Danse Bacchanale”<br />Version for four saxophones and piano by Sebastian Pottmeier</p><p>Live concert at Theater Schweinfurt</p><p>13.3.2020</p>								</div>
				</div>
					</div>
		</div>
				<div class="elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-30ce4a0" data-id="30ce4a0" data-element_type="column" data-e-type="column">
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					<a class="elementor-button elementor-button-link elementor-size-sm" href="https://www.alliagequintett.com/" target="_blank" rel="nofollow">
						<span class="elementor-button-content-wrapper">
									<span class="elementor-button-text">visit Alliage Quintett website</span>
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		]]></content:encoded>
					
		
		
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		<item>
		<title>Recuerdos de la Alhambra (live concert)</title>
		<link>https://www.sarume-media.com/recuerdos-de-la-alhambra-live-concert/</link>
		
		<dc:creator><![CDATA[sarumeme]]></dc:creator>
		<pubDate>Sat, 29 Feb 2020 13:55:32 +0000</pubDate>
				<category><![CDATA[Andrea González Caballero]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[portfolio]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">https://www.sarume-media.com/?p=1641</guid>

					<description><![CDATA[Recuerdos de la Alhambra (live concert) “Recuerdos de la Alhambra” (Memories of the Alhambra) by the composer Francisco Tárrega (1852-1909) is one of the most famous tremolo pieces written for guitar. The piece is characterized by this technique, the “tremolo”, to interpret the melodic line, in which each note is played several times quickly, giving rise to this succession to the illusion that every note sounds in a sustained way. To perform this technique, the interpreter dots the string with the ring, heart and index fingers sequentially. The thumb is used to play the accompaniment in more serious arpeggios than the melody. It is common to think that the play is being performed by two guitars the first time it is heard. Andrea González Caballero’s interpretations are famous for their strong character and sensitivity. That is why she was described as “The female voice of the Spanish guitar” by the Operaworld Magazine. She has won numerous international awards and is one of the promising classical guitarists of this time. This video is an excerpt from her concert performed in Wuppertal (Germany) in 2019. CONTRIBUTION Audio and video production]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="1641" class="elementor elementor-1641">
						<section class="elementor-section elementor-top-section elementor-element elementor-element-de449d0 elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no" data-id="de449d0" data-element_type="section" data-e-type="section">
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					<h2 class="elementor-heading-title elementor-size-default">Recuerdos de la Alhambra (live concert)
</h2>				</div>
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				<section class="elementor-section elementor-inner-section elementor-element elementor-element-da1292e elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no" data-id="da1292e" data-element_type="section" data-e-type="section">
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				<section class="elementor-section elementor-inner-section elementor-element elementor-element-2b0ec44 elementor-reverse-mobile elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no" data-id="2b0ec44" data-element_type="section" data-e-type="section">
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				<div class="elementor-widget-container">
									<p><b>“Recuerdos de la Alhambra”</b> (Memories of the Alhambra) by the composer Francisco Tárrega (1852-1909) is one of the most famous tremolo pieces written for guitar.</p>
<p>The piece is characterized by this technique, the “tremolo”, to interpret the melodic line, in which each note is played several times quickly, giving rise to this succession to the illusion that every note sounds in a sustained way. To perform this technique, the interpreter dots the string with the ring, heart and index fingers sequentially. The thumb is used to play the accompaniment in more serious arpeggios than the melody. It is common to think that the play is being performed by two guitars the first time it is heard.</p>
<p><b>Andrea González Caballero’s</b> interpretations are famous for their strong character and sensitivity. That is why she was described as “The female voice of the Spanish guitar” by the Operaworld Magazine. She has won numerous international awards and is one of the promising classical guitarists of this time.</p>
<p>This video is an excerpt from her concert performed in Wuppertal (Germany) in 2019.</p>								</div>
				</div>
					</div>
		</div>
				<div class="elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-b36d654" data-id="b36d654" data-element_type="column" data-e-type="column">
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						<div class="elementor-element elementor-element-66c5514 elementor-widget__width-initial contribution elementor-widget elementor-widget-text-editor" data-id="66c5514" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
				<div class="elementor-widget-container">
									<p>CONTRIBUTION</p><p>Audio and video production</p>								</div>
				</div>
					</div>
		</div>
					</div>
		</section>
					</div>
		</div>
					</div>
		</section>
					</div>
		</div>
					</div>
		</section>
				</div>
		]]></content:encoded>
					
		
		
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		<title>Así baila mi trujillana</title>
		<link>https://www.sarume-media.com/asi-baila-mi-trujillana/</link>
		
		<dc:creator><![CDATA[sarumeme]]></dc:creator>
		<pubDate>Wed, 01 Jan 2020 14:00:29 +0000</pubDate>
				<category><![CDATA[Kathye Molina & Carlos Navarro]]></category>
		<category><![CDATA[portfolio]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">https://www.sarume-media.com/?p=1648</guid>

					<description><![CDATA[Así baila mi trujillana “Asi baila mi trujillana”, by Juan Benetes Reyes is a “marinera”, a typical romantic couple dance from the Peruvian coastal region. In the most famous variation, the “Marinera Norteña”, the female dancers wear big, beautiful dresses, but they perform barefoot; and this mostly on rough surfaces. In our video Kathye Molina dances on the bare concrete floor of an old ironworks. Kathye Molina is a Peruvian dancer who teaches and practices her folkloric dance in Germany. Juan Carlos Navarro studied classical guitar in Peru and Germany. He is one of the most active Peruvian guitarists of his generation. He regularly gives master classes and can be seen at international concerts, competitions and guitar symposia. CONTRIBUTION Video production]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="1648" class="elementor elementor-1648">
						<section class="elementor-section elementor-top-section elementor-element elementor-element-a9ca926 elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no" data-id="a9ca926" data-element_type="section" data-e-type="section">
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				<div class="elementor-widget-container">
					<h2 class="elementor-heading-title elementor-size-default">Así baila mi trujillana</h2>				</div>
				</div>
				<section class="elementor-section elementor-inner-section elementor-element elementor-element-ea3c76d elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no" data-id="ea3c76d" data-element_type="section" data-e-type="section">
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						<div class="elementor-element elementor-element-da87f14 elementor-widget elementor-widget-video" data-id="da87f14" data-element_type="widget" data-e-type="widget" data-settings="{&quot;video_type&quot;:&quot;vimeo&quot;}" data-widget_type="video.default">
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							<div class="elementor-wrapper elementor-open-inline">
			<iframe class="elementor-video-iframe" allowfullscreen allow="clipboard-write" title="vimeo Video Player" src="https://player.vimeo.com/video/388893494?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=0&amp;portrait=0&amp;byline=0&amp;h=b640d377e4#t="></iframe>		</div>
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		</section>
				<section class="elementor-section elementor-inner-section elementor-element elementor-element-16a2df0 elementor-reverse-mobile elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no" data-id="16a2df0" data-element_type="section" data-e-type="section">
						<div class="elementor-container elementor-column-gap-default">
					<div class="elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-c077f93" data-id="c077f93" data-element_type="column" data-e-type="column">
			<div class="elementor-widget-wrap elementor-element-populated">
						<div class="elementor-element elementor-element-2143c7e justify-paragraphs elementor-widget elementor-widget-text-editor" data-id="2143c7e" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
				<div class="elementor-widget-container">
									<p><strong>“Asi baila mi trujillana”</strong>, by Juan Benetes Reyes is a “marinera”, a typical romantic couple dance from the Peruvian coastal region. In the most famous variation, the “Marinera Norteña”, the female dancers wear big, beautiful dresses, but they perform barefoot; and this mostly on rough surfaces. In our video Kathye Molina dances on the bare concrete floor of an old ironworks.</p><p><strong>Kathye Molina</strong> is a Peruvian dancer who teaches and practices her folkloric dance in Germany.</p><p><strong>Juan Carlos Navarro</strong> studied classical guitar in Peru and Germany. He is one of the most active Peruvian guitarists of his generation. He regularly gives master classes and can be seen at international concerts, competitions and guitar symposia.</p>								</div>
				</div>
					</div>
		</div>
				<div class="elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-12c1d5e" data-id="12c1d5e" data-element_type="column" data-e-type="column">
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						<div class="elementor-element elementor-element-b01b130 elementor-widget__width-initial contribution elementor-widget elementor-widget-text-editor" data-id="b01b130" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
				<div class="elementor-widget-container">
									<p>CONTRIBUTION</p><p>Video production</p>								</div>
				</div>
					</div>
		</div>
					</div>
		</section>
					</div>
		</div>
					</div>
		</section>
				</div>
		]]></content:encoded>
					
		
		
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		<item>
		<title>Cuando tú no estás</title>
		<link>https://www.sarume-media.com/cuando-tu-no-estas/</link>
		
		<dc:creator><![CDATA[sarumeme]]></dc:creator>
		<pubDate>Thu, 21 Nov 2019 14:18:09 +0000</pubDate>
				<category><![CDATA[Junior Zambrana Sarracent]]></category>
		<category><![CDATA[portfolio]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">https://www.sarume-media.com/?p=1680</guid>

					<description><![CDATA[Cuando tú no estás “Cuando tú no estás” is the last movement of the extraordinary piece “Preludios de Primavera” by the well-known Cuban guitarist and composer Joaquin Clerch. The video uses images showing how thoughts struggle to remember a loved person while being interrupted and impeded by miles of ideas comparable to the interfering effect of a bad television signal. In addition to “El adiós” and “Y si pienso en la Habana”, “Cuando tú no estás” was published as part of a video triology by Sarume in autumn 2019. The Cuban born guitarist Junior Zambrana Sarracent is the central figure of this project. He has played as soloist at numerous guitar festivals. He is currently based in Düsseldorf, where he teaches at the Robert Schumann Musikhochschule. CONTRIBUTION Video production]]></description>
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					<h2 class="elementor-heading-title elementor-size-default">Cuando tú no estás</h2>				</div>
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									<p><strong>“Cuando tú no estás”</strong> is the last movement of the extraordinary piece “Preludios de Primavera” by the well-known Cuban guitarist and composer Joaquin Clerch.</p>
<p>The video uses images showing how thoughts struggle to remember a loved person while being interrupted and impeded by miles of ideas comparable to the interfering effect of a bad television signal.</p>
<p>In addition to “El adiós” and “Y si pienso en la Habana”, “Cuando tú no estás” was published as part of a video triology by Sarume in autumn 2019.</p>
<p>The Cuban born guitarist <strong>Junior Zambrana Sarracent</strong> is the central figure of this project. He has played as soloist at numerous guitar festivals. He is currently based in Düsseldorf, where he teaches at the Robert Schumann Musikhochschule.</p>								</div>
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				<div class="elementor-widget-container">
									<p>CONTRIBUTION</p>
<p>Video production</p>								</div>
				</div>
					</div>
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					</div>
		</section>
					</div>
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		<title>Y si pienso en La Habana</title>
		<link>https://www.sarume-media.com/y-si-pienso-en-la-habana/</link>
		
		<dc:creator><![CDATA[sarumeme]]></dc:creator>
		<pubDate>Thu, 21 Nov 2019 14:14:04 +0000</pubDate>
				<category><![CDATA[Junior Zambrana Sarracent]]></category>
		<category><![CDATA[portfolio]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">https://www.sarume-media.com/?p=1672</guid>

					<description><![CDATA[Recuerdos de la Alhambra (live concert) ​​“Y si pienso en la Habana” is the fifth movement of the extraordinary piece “Preludios de Primavera” by the well-known Cuban guitarist and composer Joaquin Clerch.​​​​The work is a tribute to Havana, the City of columns, and was created based on Clerch’s nostalgic thoughts of his home, the colorful island of Cuba.​​In addition to “Cuando tú no estás” and “El adiós”, ​​“Y si pienso en la Habana” was published as part of a video triology by Sarume in autumn 2019 .​​​​The Cuban born guitarist Junior Zambrana Sarracent is the central figure of this project. He has played as soloist at numerous guitar festivals. He is currently based in Düsseldorf, where he teaches at the Robert Schumann Musikhochschule. CONTRIBUTION Video production]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="1672" class="elementor elementor-1672">
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					<h2 class="elementor-heading-title elementor-size-default">Recuerdos de la Alhambra (live concert)
</h2>				</div>
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									<p><strong>​​“Y si pienso en la Habana”</strong> is the fifth movement of the extraordinary piece “Preludios de Primavera” by the well-known Cuban guitarist and composer Joaquin Clerch.<br />​​<br />​​The work is a tribute to Havana, the City of columns, and was created based on Clerch’s nostalgic thoughts of his home, the colorful island of Cuba.<br />​​<br />In addition to “Cuando tú no estás” and “El adiós”, ​​“Y si pienso en la Habana” was published as part of a video triology by Sarume in autumn 2019 .<br />​​<br />​​The Cuban born guitarist <strong>Junior Zambrana Sarracent</strong> is the central figure of this project. He has played as soloist at numerous guitar festivals. He is currently based in Düsseldorf, where he teaches at the Robert Schumann Musikhochschule.</p>								</div>
				</div>
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				<div class="elementor-widget-container">
									<p>CONTRIBUTION</p><p>Video production</p>								</div>
				</div>
					</div>
		</div>
					</div>
		</section>
					</div>
		</div>
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		<title>El Adiós</title>
		<link>https://www.sarume-media.com/el-adios/</link>
		
		<dc:creator><![CDATA[sarumeme]]></dc:creator>
		<pubDate>Thu, 21 Nov 2019 14:06:39 +0000</pubDate>
				<category><![CDATA[Junior Zambrana Sarracent]]></category>
		<category><![CDATA[portfolio]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">https://www.sarume-media.com/?p=1663</guid>

					<description><![CDATA[El Adiós ​​“El adiós” (“the farewell”) is the fourth movement of the extraordinary piece “Preludios de Primavera” by the well-known Cuban guitarist and composer Joaquin Clerch.​​​​This piece addresses the process of the farewell and the video clip highlights its different stages: rejection, disorientation, resignation, and acceptance.​​​​In addition to “Cuando no estás” and “Y si pienso en la Habana”, “El Adiós” was published as part of a video triology by Sarume in autumn 2019 .​​​​The Cuban born guitarist Junior Zambrana Sarracent is the central figure of this project. He has played as soloist at numerous guitar festivals. He is currently based in Düsseldorf, where he teaches at the Robert Schumann Musikhochschule. CONTRIBUTION Video production]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="1663" class="elementor elementor-1663">
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					<h2 class="elementor-heading-title elementor-size-default">El Adiós</h2>				</div>
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									<p><strong>​​“El adiós”</strong> (“the farewell”) is the fourth movement of the extraordinary piece “Preludios de Primavera” by the well-known Cuban guitarist and composer Joaquin Clerch.<br />​​<br />​​This piece addresses the process of the farewell and the video clip highlights its different stages: rejection, disorientation, resignation, and acceptance.<br />​​<br />​​In addition to “Cuando no estás” and “Y si pienso en la Habana”, “El Adiós” was published as part of a video triology by Sarume in autumn 2019 .<br />​​<br />​​The Cuban born guitarist <strong>Junior Zambrana Sarracent</strong> is the central figure of this project. He has played as soloist at numerous guitar festivals. He is currently based in Düsseldorf, where he teaches at the Robert Schumann Musikhochschule.</p>								</div>
				</div>
					</div>
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				<div class="elementor-widget-container">
									<p>CONTRIBUTION</p><p>Video production</p>								</div>
				</div>
					</div>
		</div>
					</div>
		</section>
					</div>
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		<title>Cataluña (live concert)</title>
		<link>https://www.sarume-media.com/cataluna-live-concert/</link>
		
		<dc:creator><![CDATA[sarumeme]]></dc:creator>
		<pubDate>Thu, 21 Nov 2019 14:02:56 +0000</pubDate>
				<category><![CDATA[Andrea González Caballero]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[portfolio]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">https://www.sarume-media.com/?p=1655</guid>

					<description><![CDATA[Cataluña (live concert) “Cataluña” is part of the “Suite Española” (Spanish Suite) by the composer Isaac Albéniz (1860-1909) and even though it is a work originally written for piano, it became one of the key pieces of guitar literature. ​​Andrea González Caballero’s interpretations are famous for their strong character and sensitivity. That is why she was described as “The female voice of the Spanish guitar” by the Operaworld Magazine. She has won numerous international awards and is one of the promising classical guitarists of this time.​​​​This video is an excerpt from her concert performed in Wuppertal (Germany) in 2019. CONTRIBUTION Audio and video recording]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="1655" class="elementor elementor-1655">
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					<h2 class="elementor-heading-title elementor-size-default">Cataluña (live concert)</h2>				</div>
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									<p><strong>“Cataluña”</strong> is part of the “Suite Española” (Spanish Suite) by the composer Isaac Albéniz (1860-1909) and even though it is a work originally written for piano, it became one of the key pieces of guitar literature.</p>
<p>​​<strong>Andrea González Caballero’s</strong> interpretations are famous for their strong character and sensitivity. That is why she was described as “The female voice of the Spanish guitar” by the Operaworld Magazine. She has won numerous international awards and is one of the promising classical guitarists of this time.<br />​​<br />​​This video is an excerpt from her concert performed in Wuppertal (Germany) in 2019.</p>								</div>
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									<p>CONTRIBUTION</p>
<p>Audio and video recording</p>								</div>
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